摘要
《作家姿态与自我意识》建构在"作家精神"和"文学传统"的问题框架上,分别对80年代文学中"感伤姿态"、"寻根趋向"、"忏悔意识"、"超越渴望"等四种创作心态进行了细致的剖析,对于独立的作家精神和独立的文学传统进行了深刻的反思和重建的工作。洪子诚指出,一个真正的艺术家必定是一个痛苦的理想主义者,灵魂的骚动和精神探求的不安构成了他的精神结构,他需要有"永恒痛苦"的意识,强烈的批判意识和悲剧的精神品质。这样,中国文学传统的重建才真正有希望。洪子诚对作家建立独立精神的殷切期望,也体现了他所秉持的"启蒙主义"价值立场和"苦行僧"式的艺术取向。
Written in the framework of ＂the writer＇s spirit＂ and ＂literary traditions＂,Writers＇ Attitude and Self-awareness scrutinizes respectively four types of writing mentality in the literature of the 1980s such as ＂the sentimental stance＂,＂the root-seeking trend＂,＂the confession consciousness＂,and ＂the aspiration for transcendence＂,profoundly considering and reconstructing the independent spirit of writers and the independent traditions of literature.As is pointed out by Hong Zicheng,a real artist is bound to be an anguished idealist whose spiritual constitution is composed of his stirring soul and his restless spiritual pursuit,because he needs to embrace a consciousness of ＂eternal agony＂,a strong sense of criticism and the spiritual quality of tragedy.Only in this way can be it likely to reconstruct the tradition of Chinese literature.Hong Zicheng＇s earnest expectations for the cultivation of the independent spirit on the part of writers is also reflective of his persistent stance on ＂enlightenment＂ and his ＂ascetic＂ art orientation.
出处
《海南师范大学学报（社会科学版）》
2013年第2期83-87,共5页
Journal of Hainan Normal University(Social Sciences)
关键词
《作家姿态与自我意识》
洪子诚
批判意识
悲剧精神
文学传统
Writers＇ Attitude and Self-awareness
Hong Zicheng
the sense of criticism
the tragic spirit
literary tradition
