摘要
家庭伦理剧作为新时期崭新的文艺形式获得了大众的认可。近年以《蜗居》等为代表的伦理剧凸显了女性自我独立和女性话语的建构,这在一定程度上突破女性在男权社会被统治的形象。但是这一建构还远未完成,女性的反抗依然是在男权意识形态话语和符号式身体"被看"的范围内进行的。当代伦理剧未完成的女性主义批评却彰显了新时期女性生存困境与女性主义批评策略。
s a brand-new form of artistic expression, TV plays featuring family ethics have won extensive public recognition among audiences in China. TV series featuring family ethics typified by, for example, Woju （ 锅居） translated as Dwelling Narrowness）, have highlighted female independence and female discourse construction, which symbolizes females upsetting their stereotyped images of being restrained or controlled in the male-dominated patriarchal society. However, such constructivist process still has a long way to go since female resistance to submission is still within the confines of male ideological discourse. The unfinished task of female criticism in contemporary TV plays featuring family ethics not only reveals the predicament of female＇ s survival but also designates the strategies or direction for female criticism in the modern era.
出处
《南阳师范学院学报》
CAS
2013年第2期41-46,共6页
Journal of Nanyang Normal University
关键词
家庭伦理剧
消费
女性主义
符号化
交往理性
TV plays featuring family ethics
consumption
feminism
symbolization
communicative rationality
