摘要
河湟西纳地区的拉沙阳坡村,被原为一起出演社火的阴坡村弃离之后,在沿承河湟社火基本套路的同时,依借本村山神信仰等文化资源,极力寻求有别于阴坡村社火的出演内容,从而推演出以"耍牦牛"为核心特征的社火文化。借由阳坡社火之出演历程可以看到文化如何被转接、移植、改造、链接乃至形构。更为重要的是,与已有的文化或文化载体抗争式的演进博弈在文化的形构过程中起到了关键作用,正是人群凭借文化在区域内为宣示自我身份、证明自我价值以及强调自我位阶的意识主导下,新的文化在演进博弈中形成。
People in Yangpo village of Hehuang area developed Shehuo culture characterised by playing yaks following the primary style forms of Hehuang Shehuo. Taking advantage of Mountain Spirit faith and cultural resources, they struggled to find differences from Yinpo village, which once played Shehuo with Yangpo village together. This process demonstrated how the culture was transferred, transplantation transformed and linked. More importantly, the evolutionary game against the existing culture played a key role in this process and the new culture thus was formed in the evolution of the game in which people attempted to demonstrate self-identity, serf-worth and self-status.
出处
《青海民族研究》
CSSCI
北大核心
2013年第1期40-48,共9页
Qinghai Journal of Ethnology
基金
2010年教育部人文社会科学研究规划基金项目<民国时期的河湟地方社会>阶段性研究成果之一
批准号10YJA850014
