摘要
我国近现代音乐史上具有划时代意义的重要人物王光祈(1892—1936),其戏曲思想的形成,有着复杂的历史背景和学术背景。王光祈赴欧留学并改习音乐学,在西方近现代科学音乐理论的指导下,审视中国古典戏曲艺术和现代戏曲艺术,创作了多篇极具学术价值的戏曲论著。文章从王光祈的论著着手,论证王光祈在中西方比较音乐学的基础上立足于探索中华民族复兴国乐观的戏曲思想。认为,王光祈的戏曲思想,在中国戏曲研究上有着开拓性的作用,对川剧等戏曲的发展产生了积极的影响。
Wang Guangqi（1892--1936） is an important person in modern music history of China, which is a land- mark causing great influence. The formation of his opera thought existed complex historical background and aca- demic backgroun＆ Wang Guangqi went to Europe to study and began to learn musicology, with the guide of west modern science musicology, inspected Chinese classical and modern opera art and wrote many opera works having highly academic value. The essay from Wang Guangqi~ s works demonstrates that he explores optimistic opera thought of Chinese national rejuvenation based on comparing Chinese musicology and western musicology. The es- say thinks that Wang Guangqi＇s opera thought plays a pioneering role in researching Chinese opera and has positive influence on the development of opera.
出处
《音乐探索》
CSSCI
2013年第1期20-25,共6页
Explorations in Music
基金
西南民族大学中国语言文学研究生学位点建设资助项目成果之一
项目编号:2012XWD-S0501
关键词
王光祈
戏曲思想
历史地位
Wang Guangxi Opera thought Content Historical role
