摘要
景观的韵律美价值与景观对原始人类的战略意义相一致,这是景观韵律美评价的基本原理。本文对南太行山典型峡谷景观(王相岩峡谷景观)的空间结构及其意义、韵律美价值进行了分析和探讨:围谷及其绝壁上的悬岩和洞穴,预示着一种潜在的、原始人的理想领地和直接生境;峡谷走廊与围谷的结合而形成的串珠式空间序列和每一围谷中的倒塔式竖向空间序列,能最大限度地满足人的空间探索欲和求知欲,产生多种景观感受和有利于形成清晰的整体环境认知图。这些结构正是自热景观美的韵律。
Landscape rhythm has its deep root in the strategic implication oflandscapes as habitats for primitive men as collectors and hunters; this is the principle for the evaluation of landscape rhythm, which is illustrated with a case study carried out in a typical canyon landscape of Wanxiang Canyon in south Mt. Taihang. The tributary valleys distributed along the canyon, which are enclosed all around with precipices on which sit caves, indicate potential ideal territories and immediate living sites for primitives. The enclosed valleys are strung together through the canyons to form a string-of-beads spatial structure; within each of the enclosed valleys, an inverted-pogoda spatial structure is formed with a series of denuded terraces stepping upward. These two kinds of spatial structure can meet, to the greatest extent, man's desire for exploration and quick familarity with a new environment, which are of adaptive significance for primitives. These landscape structures are considered to be the aesthetic rhythm of natural landscape.
出处
《北京林业大学学报》
CAS
CSCD
北大核心
1991年第1期9-17,共9页
Journal of Beijing Forestry University
关键词
景观韵律
自然景观
环境认知
landscape rhythm,landscape perception,environmental cognition, Taihang mountain
