摘要
敦煌发现的刺绣品多出自佛寺的供养之具,包括佛像、佛经、幡和幢伞等,以及大量的刺绣残片,它们的年代跨度大,但以唐代为主。图案丰富,主要包括佛、菩萨、供养人、花、鸟和动物。研究发现刺绣技法除了锁绣,还包括从中发展出来的劈针绣、平针绣、钉金绣和盘金绣等,其中平针绣最为常见。利用金线作为装饰的绣法在唐以前的出土实物中几乎没有发现,因此推测这种技法是在唐代成熟并流行。
Most of the embroidery discovered in Dunhuang derives from sacred objects including figures of buddha, sutras, streamers, pennant umbrellas and a larger number of embroidery fragments. Such objects have large time span, but most of them come from Tang dynasty. The abundant patterns-on the embroidery mainly include buddha or bodhisattvas, donors, flowers, birds and animals. In addition to chain stitch, the study also discovers that the embroidery technology also consists of split stitch, satin stitch, gold embroidery stitch and gold embroidery which develop from chain stitch. Among these embroidery techniques, split stitch is the most prevalent. Embroidery stitch using gold threads as decoration is rare in the excavated objects before Tang dynasty. Therefore, this kind of embroidery stitch might mature and become popular in Tang dynasty.
出处
《丝绸》
CAS
北大核心
2012年第9期60-65,共6页
Journal of Silk
基金
中央高校基本科研业务费专项资金资助(财教[2008]233号)
关键词
敦煌
刺绣
图案
技法
Dunhuang
Embroidery
Pattern
Techniques
