摘要
从《红高粱》开始 ,张艺谋的影片一直试图在传统与现代、主体与边缘、中国传统文化与世界文化潮之间寻找着一种相互衔接的契合点 ,这使他的影片能够以诗性的语言和最现代的表现手法对中国传统文化进行深层的反思 。
WT5”BZ]From Red Sorghum,Zhang Yi mou has tried to find a corresponding point which is connected with each other between tradition and modern,principal and peripheral,Chinese tradition culture and the world culture trend in his films.This has made his films use poetical language and the most modern expression to have a profoundly consideration on Chinese tradition culture.Thus,the artistic style of which stands out among others has been formed in his films. [WT5”HZ]
出处
《长春大学学报》
2000年第1期76-80,共5页
Journal of Changchun University
关键词
电影创作
审美价值取向
电影导演
中国
张节谋
WT5”BZ]film creation
modern ideas
new views
new aesthetic value orientation
