摘要
在中国现代文学史的叙述中,创造社由文学革命到革命文学的转向是非常简明、突兀的。实际上,创造社并非是高度统一的,在创造社内部始终存在着差异性,而正是这种差异性的存在,使得创造社成员的"转向"显得相当艰难。在革命文学的提倡过程中,创造社内部始终充满着对话。这些关于革命文学的对话,"转向"过程中的游移与艰难,在《创造周报》、《洪水》、《创造月刊》等创造社前期与中期刊物中有着鲜明的表现。正视创造社内部的这种差异性与"转向"过程的复杂性,我们才能了解革命文学提倡过程中的真实面貌。
In the narration history of the China＇s modern literature,the change of the Creation Society from Literature Revolution to Revolutionary Literature is fairly brief and sudden.As a matter of fact,Creation Society is not highly unified inside,but internal differentiations can be found.Due to the latter,the ＂reorientation＂ of the members of Creation Society is rather difficult.In advocating the revolutionary literature,dialogue was found in the whole process.The dialogue about the revolutionary literature and the shift and difficulties of the ＂reorientation＂ can be clearly found in Creation Weekly,Flood,Creation Monthly,and some other magazines in the early-and mid-term Creation Society.
出处
《重庆三峡学院学报》
2013年第1期71-77,共7页
Journal of Chongqing Three Gorges University
关键词
创造社
革命文学
转向
国民文学
Creation Society
Revolutionary Literature
Reorientation
National Literature
