摘要
西方人类学的艺术研究有着悠久的历史,依据研究方法的不同,可以大致划分为古典主义、现代主义和后现代主义三个时期,20世纪80年代以来,随着跨学科研究的兴盛,人类学的艺术研究开始出现学科建构的迹象,其显要标志是艺术人类学的诞生,这是一门介于美学/艺术学和人类学之间的交叉学科,它内在地具有审美和文化两大属性,在新的文化语境中艺术人类学还应走向作为审美文化批评的研究范式,这一研究范式采取一种"间性"的思维方式,将对艺术的考评放在审美与文化之间,在它们的双向交流互动中把握艺术;在研究方法上,强调田野工作基础上的文化诗学方法;而努力发挥其介入现实、介入生活的文化功能是作为审美文化批评的艺术人类学研究的目的之所在。
The research on arts of western anthropology has a long history, according to the different research methods, it can be divided into three periods： classicism, modernism and postmodernism. Since the 1980s, with the rise of interdisciplinary studies, the art studies of anthropology began to appear the sign of discipline construct, which indicates the birth of the art anthropology. It is an interdisciplinary between aesthetics/art and anthropology. Meanwhile, the art anthropology also has two properties of the aesthetics and culture. In the new cultural context, the ,art anthropology should move towards a new research paradigm as an aesthetic cultural criticism. This research paradigm applies an intersubjective way of thinking which evaluates the arts between aesthetics and culture. In the case of the research methods, our new research paradigm emphasizes the cultural poetics based on field work. As aesthetic cultural criticism, the purpose of art anthropology is the cultural function to participate in the realities and life.
出处
《青海民族研究》
CSSCI
北大核心
2012年第4期21-25,共5页
Qinghai Journal of Ethnology
基金
教育部人文社科项目"布尔迪厄文艺思想与中国当代文论建设"阶段性成果
批准号12YJC751046
关键词
人类学
艺术
艺术人类学
审美文化批评
anthropology
art
art anthropology
aesthetic cultural criticism
