从虚无主义走向苏非主义——关于《金色笔记》中几处空间场景的内涵释读被引量：4

From Nihilism to Sufism:Interpreting the Connotation of Several Spatial Scenes in The Golden Notebook

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摘要在《金色笔记》中,非洲"马雪比"、英国"伦敦"、主人公的"公寓",这几个场景跳跃出现,在情节中既疏离错位又彼此交织,成为某一个历史阶段精神影像的写照,反映了特定历史时期与社会形态下欧洲知识分子的精神处境,以及他们在积极追求和消极感受上的矛盾,从无力抗争、消极避世到重建信心的努力过程。也显示出作家在自然理性与苏非神秘主义哲学这两个思维向度上的尝试与追求,预示了作者此后创作题材的调整。 In The Golden Notebook,the African ＂Mashopi＂,British ＂London＂ and the heroine＇s ＂apartment＂,these scenes appears in turn,detached yet interweaved in the plot,constitute a portraiture of the spirit of a particular historical stage,reflecting the spirit plight of the European intellectuals under certain historical period and social formation,and their contradiction between active seeking and negative feeling,their process from inability in resisting,passive withdraw from society,and strive to rebuild confidence.It also shows the author＇s attempt and pursue in thinking dimension of natural reasoning and the Sufi mysticism,predicting the author＇s later readjusting of subjects in her creation.

作者卢婧

机构地区南京师范大学文学院

出处《南京师范大学文学院学报》 CSSCI 2012年第4期141-147,共7页 Journal of School of Chinese Language and Culture Nanjing Normal University

基金教育部青年基金项目"多丽丝.莱辛小说的艺术形式研究"(编号:10YJC752027)

关键词《金色笔记》空间场景苏非主义 The Golden Notebook spatial scenes Sufism

分类号 I106.4 [文学—世界文学]

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参考文献11

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