摘要
新世纪以来,在中国大陆以儒学为核心的传统文化热潮颇有方兴未艾之势。乘着这股传统文化热、国学热、儒学热,影视界翻拍经典的高潮势不可挡。其中电影《孔子》的推出具有一定代表性。《孔子》对古装战争片模式的重复、对儒学思想的隔膜误读、对市场的自觉倾斜妥协等原因,使得影片重释孔子的预期并没有实现,远未触及儒家文化传统的核心。这些问题在其他影视翻拍剧中同样存在。在大众传媒时代,儒家文化传统该如何重建,这样一个急迫而重大的命题,摆在了我们面前。
Since the beginning of the new century,the upsurge of traditional Chinese culture with Confucianism as its kernel has been in an ascendant trend.Along with the rush of traditional culture,＂guo xue＂ and Confucianism,the adapting of classics in cinematography is also demonstrating an irresistible tide.The release of the movie Confucius is a representative of this trend.However,due to its imitating of the costume war film,misreading of Confucian thought,compromising to market commercial demand,this movie failed in realizing the expected goal of reinterpreting Confucius,and it is far from touching the core value of Confucian cultural tradition.This problem also exists in other similar reproduced movies.In the era of mass media,how to reconstruct the Confucian cultural tradition is still an important and emergent problem in front of us.
出处
《南京师范大学文学院学报》
CSSCI
2012年第4期41-45,共5页
Journal of School of Chinese Language and Culture Nanjing Normal University
关键词
影视改编
《孔子》
大众传媒时代
儒家传统
重建
cinematographic adaptation
Confucius
the era of mass media
reconstruction
