5Griesinger D. Subjective loudness of running reverberation in halls and stages[A]. Proceedings of the Wallace Clement Sabine Centennial Symposium[C]. Cambridge, Massachusetts, USA, 1994: 89-92.
6Barton M. Interpretation of early decay times in concert auditoria[J]. Acustica, 1995, 81: 320-331.
7Atal B S, Schroeder M R, and Sessler G M. Subjective reverberation time and its relation to sound decay[A]. Froceedings of the Fifth International Congress on Acoustics[C]. Liege, 1965: G 32.
8Jordan V L. Acoustical criteria for auditoriums and their relation to model techniques[J]. J. Acoust. Soc. Am., 1970, 47(2): 408-412.
9Cremer L, Muller H A. Principles and applications of room acoustics[M]. London: Applied Science, 1982: 509.
10Ermann M, Stuecker R. Coupled volume/double slope subjective listening test[J]. J. Acoust. Soc. Am., 2003, 114(4): 2331.
