摘要
云冈石窟从开凿起到主要洞窟的基本完成,无不与北魏皇室有着千丝万缕的联系。"昙曜五窟"的开凿宣告了"沙门不拜王者论"的结束,而政治上的需求则引发了艺术上的创新和发展。皇室与社会民众的互动促进了佛教艺术世俗化的进程,并形成了云冈造像模式。
This article begins with the background of Yungang Grottoes, discussed and inquired further into the essential relations between grottoes produces of the huge structure scale and near-perfect conservation, such as Yungang Grottoes, and royal family in Northern Wei Dynasty. It reveals the different forms of expression and the artistic characteristics of grottoes under political influence of the imperial power. To expound further the reason of nationalization of the Buddhist art and the progress of Buddhism common custom.
出处
《山西大同大学学报（社会科学版）》
2012年第5期37-41,共5页
Journal of Shanxi Datong University(Social Science Edition)
关键词
佛教
北魏
皇权
云冈石窟
Buddhism
Northern Wei Dynasty
imperial power
Yungang Grottoes
