摘要
从文学语言学的视角,研究语言符号与表现对象、读者及作家思维和情感的关系,对于解析西方荒诞派文学的语言问题是极有帮助的。例如《秃头歌女》的台词常常答非所问、语无伦次,可谓全篇都是废话,目的显然在于表现人生的荒诞状态和人与人之间的不能沟通。而卡夫卡《审判》的荒诞在于主人公犯罪并非事实上的犯罪,而是一种语言上的犯罪。读卡夫卡的众多小说,让我们感悟到其语言的魅力,在于发掘潜藏于荒诞表象下面的历史逻辑。
This paper aims to interpret the linguistic issues in the Western Absurdist Literature besed on the study of the relationship between linguistic signs, their representing objects, readers and writers＇thinking and emotions from the perspective of literary linguistics. In the case of The Bald Soprano, the speech of the play is filled with illogical and incoherent nonsense, but obviously it expresses the absurd state of life and the futility of meaningful comn, unication in the modern society. The Absurdity of Kafka＇s Fiction, The Trial, is that the hero is legally innocent, but linguistically guilty. Reading Kafka＇s novels,we can understand the charm of the language is to discover the historical logic hidden behind the aparent absurdity. The novels depict a real world.
出处
《社会科学》
CSSCI
北大核心
2012年第11期177-181,共5页
Journal of Social Sciences
