摘要
作为一种生成于舞台上的活的戏剧,一种演员成为创造主体的戏剧创造方式,一种依靠演员的创造与揣摩而不再是剧本的傀儡,"路头戏"重视即兴演唱的音乐性而非固定文本的文学性,在创作与表演方面都充分考虑到市场的需求和观众的审美与互动,而非专家的喜好,由这一场观众当场直接褒贬、决定取舍而非一成不变的戏剧表演模式,在当下正默默地发挥着它的历史作用。戏曲非遗的保护要认清戏曲之特性,分辨戏曲之真伪,从原始的形态中去进行发掘与研究保护。
Lutou opera is a live drama generating on the stage, and actors are the main body of the creation. The performance depends on actors＇ creation and pondering instead of the script and pays attention to the music of im promptu rather than the literary feature of a fixed text. The creation and performance of lutou opera fully take into account the market demand and the audience＇ s aesthetic preference rather than that of experts. The audience di rectly appraises the opera on the spot and makes choices rather than a static performance model. Lutou opera is pla ying a historical role. The protection of intangible cultural heritage of drama requires a clear understanding of the characteristics, distinguishing the authenticity of drama and making research on the original form of protection
出处
《浙江艺术职业学院学报》
CSSCI
2012年第1期113-118,共6页
Journal of Zhejiang Vocational Academy of Art
基金
2011年度浙江省哲学社会科学规划课题<浙江"路头戏"生存境况与价值实现的研究>成果之一。(项目编号:11JCWH03YB)
关键词
路头戏
戏曲本体
非遗保护
lutou opera
noumenon of drama
protection of intangible cultural heritage
