摘要
当代中国古典舞和舞台民族民间舞是在继承中国传统文化艺术的基础上发展起来的。在其发展过程中,对跨文化舞蹈技术的借鉴是一种较为普遍存在的现象,也是目前需要更多思考与关注的问题。跨文化的舞蹈技术借鉴既能使传统舞蹈的精神得以升华,也可能使其发生衍变。这就需要我们在懂得传统文化底蕴的基础上,严谨与审慎地把握其借鉴的方式与维度;在深挖传统文化内涵的基础上,摒弃随意"镶嵌"、"拼接"的弊病;在努力继承传统文化基因的基础上,避免武断的"拿来主义"之硬伤;从更新和更广的角度去开发传统文化资源,针对舞蹈语言建设、训练方法或作品创作等领域各自不同的特点,采用不同的方法、策略去进行传统舞蹈的当代重建或发展。
Contemporary Chinese classical dance and stage folk dance are developed on the basis of Chinese tradi tional culture and art. In the process of development, the absorption of cross-cultural dance techniques is a rela tively common phenomenon which needs to be thought of carefully. The cross cultural reference of dance techniques may cause either the sublimation or evolution of traditional dance spirit, It needs us to understand traditional cul ture and grasp the reference dimension carefully. We should avoid patchwork on the basis of inheriting traditional culture. We should develop traditional cultural resources from an updated and broader perspective, and take differ ent approaches and strategies to develop the traditional dance in accordance with the characteristics of dance lan guage, training methods or the dance creation.
出处
《浙江艺术职业学院学报》
CSSCI
2012年第1期42-46,共5页
Journal of Zhejiang Vocational Academy of Art
基金
2011年度湖南省教育厅高等学校科研项目<湖南楚风古典舞蹈的开发及社会推广研究>(青年项目)阶段性成果。(项目编号:11B026)
关键词
中国古典舞
舞台民族民间舞
跨文化
Chinese classical dance
stage folk dance
cross-cultural
