摘要
在青铜礼器上装饰有一种神秘而夸张的纹饰图案,这个以某种动物的变形式样装饰在青铜礼器的显著位置上,传递出特定的思想内涵与社会功用,这种动物纹饰自古以来就被称之为饕餮纹。商代以及西周早期饕餮纹的表现形式有两种,为有首无身和有首有身。西周中期以后饕餮纹逐渐退居到次要位置,基本上只用来装饰鼎足上部,表现形式为有首无身。近代的一些学者认为这种变形的动物纹应该称之为兽面纹。文章通过对这种纹饰结构形态的对比分析以及考证古人对这种纹饰的著录得出正确的称谓。
In a bronze sacrificial vessel decoration on a mysterious and exaggerated decorative pattern design, this in some animals in bronze decoration style deformation of the significant position kilns, delivering a specific ideo- logical Content and social function, the animal to the ancient called it the gluttonous grain. And the western zhou dy- nasty gluttonous grain early shang dynasty form has two, as is the first body and there is a good man and without. The western zhou. dynasty middle gluttonous grain after gradually pushed into the secondary position, basically only use to decorate the legs, and the expression form of is the first no body. Some scholars believe that the modem of the deformation of the animals should be exercised called grain wen. Thlx^ugh this structure form of the eontrastive analy- sis of the textual research of this kind of decorations and the description of the correct term.
出处
《河南机电高等专科学校学报》
CAS
2012年第3期80-82,共3页
Journal of Henan Mechanical and Electrical Engineering College
关键词
青铜器
饕餮纹
兽面纹
bronzes
gluttonous grain
wrought lines
