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童心与同情的美学——丰子恺漫画中的幽默 被引量:2

The Aesthetics of Childlike Innocence and Sympathy: Humor in Feng Zikai's Comic Strips
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摘要 读丰子恺的漫画,你会被一种独属于"子恺漫画"的幽默所吸引、感动和愉悦。"子恺漫画"的幽默的美学内涵就是简约的描绘、童心的趣味和同情的表现。简约的描绘,是指"子恺漫画"是用非常简约的笔墨和形式描绘图像,简约传神。童心的趣味,是指返身为儿童,用儿童的眼睛看世界、用儿童的心灵体验世界。同情的表现,是指漫画将自我的情感与描绘对象化为一体,表现的是这种主客交融的境界。 While reading Feng Zikai's comic strips, one can't help being attracted and touched by the humor that is peculiar to "Zikai's Comics", a humor the aesthetic import of which can be defined as simple drawing, childlike curiosity and sym- pathetic rendition. Simple drawing means using a minimum of strokes and forms to draw the picture and convey the spirit; childlike curiosity means putting oneself in the shoes of a child and then seeing the world through a child's eyes and experien- cing the world with a child's heart; sympathetic rendition means blending the cartoonist's feelings with the thing that is drawn, a state in which subject and object intermingle.
作者 肖鹰
机构地区 清华大学哲学系
出处 《美育学刊》 2012年第5期52-55,共4页 Journal of Aesthetic Education
关键词 丰子恺 漫画 移情美学 气韵生动 Feng Zikai comic strips empathetic aesthetics vividness
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参考文献1

  • 1丰子恺.中国现代美学名家文丛@丰子恺卷[M]杭州:浙江大学出版社,2009.

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