摘要
狄德罗是18世纪法国启蒙运动的领袖之一,他在戏剧理论方面突破了古典主义以来悲喜剧间的严格界限,创立了严肃喜剧———市民剧。市民剧要求表现自然、接近真实生活,"情境"说成为市民剧的核心美学概念。狄德罗市民剧理论具有深刻的美学意蕴,对后来戏剧理论和实践创作产生了深远影响。
Denis Diderot was one of the leaders of the eighteenth Century French Enlightenment Campaign. He broak the strict boundaries between the theory of drama of classical tragicomedy, and created the serious comedy, that is drame bourgeois. Drame bourgeois pursuits natural performance, close to life,＂circumstance and plot theory ＂ became a core concept of aesthetics. Diderot＇s theory of drame bourgeois has an important realistic significance and exert profound impact on drama theory research in coming days, and have deeply aesthetic Implication.
出处
《牡丹江师范学院学报（社会科学版）》
2012年第3期42-44,共3页
Journal of Mudanjiang Normal University(Social Sciences Edition)
关键词
德尼·狄德罗
市民剧
情境说
理想范本
Denis Diderot
drame bourgeois
circumstance and plot theory
the Ideal model
