摘要
古典院体花鸟画从注重自然、抒情的审美定势,在当代逐渐形成注重"观念性"表述的艺术思维,而"观念性"自身在古典花鸟画中同样存在,只是当代花鸟画将其作为主要的创作动机而成为时代性的审美风格,并产生多元化的思维方式。
Nowadays, the spirit of traditional Chinese academic flower-bird painting has gradually shifted from emphasizing the nature and emotion to focusing on the personal expression of concepts. In fact, the factor of concept had been in. the traditional Chinese academic flower-bird painting for such a long history, however it is now used as the main motivation of creating by contemporary artists and becomes a major style of aesthetics of our times with diverse modes of thinking.
出处
《新疆艺术学院学报》
2012年第2期39-41,共3页
Journal of Xinjiang Arts University
关键词
工笔花鸟画
创作模式
观念性
Style painting flower-bird painting
Creation style
The Idealitat
