摘要
《郁金香》在普拉斯后期创作的医院组诗中具有重要意义,但它与其他同类题材作品之间的有机联系却未得到应有的关注。本文借助福柯的规训和权力运作理论重新解读该诗,并以此作为综合考察医院组诗的切入口。本研究表明,组诗通过"女性—病人"的双重视角审视医院被纳入权利运作体系的过程,揭示男性如何通过对医疗体系的宰制施行性别政治,从而实现对女性身体、身份和话语权的控制。这是普拉斯作品中的一个重要主题,也是她后期创作走向成熟的具体体现。
The paper endeavours to view comprehensively Sylvia Plath＇s ＂Hospital Series＂ in terms of Tulips as her key works. In light of Foucauldian theory on discipline and power execution,the thesis unveils from a dual perspective of ＂female-patient＂, that Plath studies the totalitarianization of the hospital, hence the domination of patriarchy over female＇ s body,identity and discourse right. The series, in a creative and significant way,combine Plath＇s contemplation about sexual politics and modern medical system. As the result of the study, the work stress the importance of ＂Hospital Series＂ as the milestone of Plathean poetry.
出处
《外国语文》
北大核心
2012年第1期43-47,共5页
Foreign Languages and Literature
关键词
医疗体制
男权
规训
反抗
patriarchy
power
discipline
rebellion
