摘要
针对认知诗学发展初期学科界定模糊、理论框架及研究范式纷杂的局面,认知诗学研究的当务之急是在现当代文化文艺思潮和人文科学领域内"认知转向"的大语境中为认知诗学正本清源,在廓清其理论渊源、学科界定、梳理其研究发展脉络的基础上,采用跨文化、多元化立场,构建基于认知的文学理论体系。在该过程中,我们可以用中国古典诗学思想反观认知诗学,探究两者的契合点及各自优势,在推进中国古典诗学的现代转型的同时,推进认知诗学的跨文化和本土化研究。
Faced with such predicaments as lack of unified disciplinary delineation, systematic theoretical framework and consistent paradigm,cognitive poetics,at its early stage,makes an urgent call to us for concerted efforts to clarify its theoretical origins and its connections to the relevant disciplines by placing it within the context of prevailing ＂cognitive turn＂ in the realms of cultural, artistic trend of thoughts as well as of human science as a whole. Thereupon, a cross- cultural multiple position should be adopted to construct a cognition-oriented literary theoretical framework. As regards to its development in China, we, Chinese scholars,may cast new light by reflecting on and making comparison with our classical poetic heritage,which is firmly believed to be insightful for providing inspirations for the two schools,and which will definitely promote the modernization of the classical poetic theory and the cross-cultural localization of cognitive poetics as well.
出处
《外国语文》
北大核心
2012年第1期7-10,共4页
Foreign Languages and Literature
基金
中国石油大学基础学科基金项目"英语意识流语篇的认知诗学研究"(批准号JCXK-2010-11)的阶段性成果
关键词
认知诗学
跨文化
本土化
cognitive poetics
cross-cultural
localization
