摘要
在拉康的"镜像阶段"理论中,"镜像"构建并完善着"本体"关于"自我"的认知;而在建筑学中,建筑理论的构建和完善同样离不开媒介及媒介再现中的建筑"镜像"。本文的研究便是从拉康的理论出发,在建筑学的范畴内探讨建筑"本体"及其"镜像"之间的关系。本文基于跨学科的研究方法,在初步描述建筑媒介再现演变历程的同时,通过对本杰明、阿多诺、德波、鲍德里亚等人研究成果的梳理,探讨并总结了二十世纪建筑媒介的再现机制。
In the theory of 'Mirror stage',Jacques Lacan think it is 'Mirror' which construct and consummate the 'ego' of 'Noumenon';while in the Architecture,the theory of architecture is constructed and consummated by medium and architectural 'Mirror image' in the medium representation.Basing on Lacan's theory,this article tries to discuss the relationship between the 'Noumenon' and 'Mirror image' in the architecture.By using interdisciplinary research methods and combing theories of Benjamin、Adorno、Dobord、Baudrillard,this article will describe the development course of architectural medium representation and summarize the mechanism of it in the 20th century at the same time.
出处
《建筑与文化》
2012年第3期80-82,共3页
Architecture & Culture
基金
国家自然科学基金青年科学基金资助项目号:51108071/E080101
关键词
建筑媒介
本体
镜像
再现机制
Architectural Medium,Noumenon,Mirror Image,Mechanism of Representation
