摘要
艺术的本质在于超越有限 ,即以有限的事物显现无限。艺术表面上离开了有限事物本身 ,实际上却更深入了事物所蕴涵的无限深层内容 ,更接近了事物的真实。艺术品由于超越有限而显现了惟一宇宙的无限内涵 ,故能使鉴赏者具有共通感 ,对鉴赏者具有魅力。艺术品之超越有限物的特点 ,还能使它在不同观赏者那里和在不同时代的人那里不断更新、丰富和深化自身的内容和含义。本文所强调的超越有限 ,不止于超越感性的东西 ,以表现典型概念 ,而且更着重于超越作为感性物与理性物相统一的有限在场者以显现无限的不在场者 ,这不在场者也是感性的东西与理性的东西的统一。
The essence of art consists in transcending the finite and the present. Through the finite and the present,art shows the infinite and the absent which constitute the innermost being of the finite and the present. It is the very transcending character of art that arouses the sympathy of its appreciators.Works of art renew,deepen and enrich themselves in their different appreciators and in different ages.
出处
《北京大学学报（哲学社会科学版）》
CSSCI
北大核心
2000年第1期68-73,共6页
Journal of Peking University(Philosophy and Social Sciences)
关键词
审美意识
超越有限
无限
感性
超感性
the finite and the infinite
the present and the absent
sensory and supersensory
imitation and expression
