摘要
伴随着技术的普及,当前几乎任何一次田野工作都存在民间音乐音响的采录活动,因而,"如何采录"以及"采录之后"又应有怎样的后续操作(如出版等),则是民族音乐学需要讨论的问题。相比西方很多学者致力于采集、出版的民间音响(CD等),并让其在社会生活中发生影响,在当代国内学界,对民间音响采录及出版等问题却并未完全纳入学术语境。事实上,音响采录所涉及的操作导向,以及采录后的编纂、出版等一系列问题,都是一份民间音响所应具有的必要品质。
With the popularity of the technology, that the activities of audio collect and record the folk music was almost existed in any field work, therefore it is an issue for ethnomusicology need to discussion that ＂how to collect and record＂ with ＂after collect and record＂ should have what kind of subsequent deal with （such as publishing, etc. ）. Compared with numbers of Western scholars devotedto collectig, publisheing the folk sound （CDs）, and made them affect the social life, in contemporary Chinese academic circle, the issues of that folk sound collected and recorded with published has not been fully integrated into academic context yet. In fact, the work guidance related to the audio collect and record, as well as the compiling is the necessary quality of a folk sound should have.
出处
《黄钟（武汉音乐学院学报）》
CSSCI
北大核心
2012年第2期108-113,共6页
Huangzhong:Journal of Wuhan Conservatory of Music
关键词
民间音乐
音响采录
出版
文案
应用民族音乐学
： folk music
audio collect and record
publish
paperwork
applied ethnomusicology
