摘要
本文从质疑洛地先生关于元杂剧并非成熟的戏剧样式这一观点入手,提出"曲体结构"和"抒情诗"都不足以准确描述元杂剧的文体特征;通过对"宾白"作用的分析,以及"曲"与"白"关系的重新解释,本文认为,元杂剧的文体特征为:依靠"宾白"自觉地营造"戏剧情境",以实现"抒情"。元杂剧具备了稳定的戏剧结构,是一种成熟的戏剧样式。
Mr. Luo Di＇s view that zaju-opera in the Yuan Dynasty in China is not a fully developed theatrical genre is questionable. It is inadequate to define stylistic characteristics of zaju-opera through the structure of its music system and lyric poetry. By analyzing the role of spoken lines and reinterpreting the relations between the music and the spoken lines, the stylistic characteristics of zaju-opera may be summarized as follows： lyricism realized through dramatic situations evoked by spoken lines. In this regard zaju-opera is a fully developed theatrical genre with fixed structure.
出处
《戏剧（中央戏剧学院学报）》
CSSCI
北大核心
2012年第1期59-66,共8页
Drama:The Journal of the Central Academy of Drama
关键词
元杂剧
曲体结构
宾白
戏剧情境
zaju-opera of the Yuan Dyansty, structure of music system, spoken lines,dramatic situation
