摘要
徐复观先生的《中国艺术精神》一书 ,提出庄子精神是中国纯艺术的精神。但是 ,他把庄子的“道”视为中国艺术的最高意境 ;把《庄子》中得“道”者视为中国艺术精神的体现 ;把《庄子》中“天地有大美而不言”引申为“道是美 ,天地是美 ,德也是美”。这些观点在思想和逻辑上偏离了现存《庄子》文本的基本内容和根本思想 ,在观念和逻辑上造成混乱 ,因此 ,没有在本质上揭示《庄子》对于中国艺术精神的内在影响。
Professor Xu Fuguan argues in his Spirit of Chinese Arts that the origin of the spirit of Chinese arts is Zhuang Zi. But he erroneously believes that the Dao of Zhuang Zi is the most exalted mood of Chinese arts; that the ideal human beings in Zhuang Zi are the embodiments of Chinese spirit of arts; and that the Dao of Zhuang Zi is extended to natural beauty. Due to these confusions in ideas and logic, he fails to discover the real influence of Zhuang Zi on Chinese arts.
出处
《北京大学学报（哲学社会科学版）》
CSSCI
北大核心
2000年第2期21-28,共8页
Journal of Peking University(Philosophy and Social Sciences)
