摘要
本项研究主要是运用光学显微镜、扫描电子显微镜和共聚焦显微激光拉曼光谱技术,分析了甘肃永登连城鲁土司属寺中的妙因寺、感恩寺和雷坛中的部分壁画。分析结果表明感恩寺和雷坛壁画基本保持了明代最初的绘制风格和内容。其中感恩寺主要壁画的绘画颜料和工艺特点鲜明,表明绘制该壁画的画工不同于绘制鲁土司属寺其他壁画的工匠;妙因寺万岁殿壁画存在后期改动和重绘的情况,其中万岁殿外回廊壁画主要部分的最初绘制时间要早于万岁殿大殿内壁画的最后绘制时间;而妙因寺塔尔殿壁画则绘制于19世纪后期。
With synthetical application of light microscope,scan electron microscope and confocal microscopy laser Raman spectrum,a survey has been conducted to the wall-painting survivals in Miaoyin temple,Gan’en temple and Leitan temple(the temple with the layout of Chinese character of'雷')which were in history under jurisdiction of Chieftain Lu(Lu Tusi)of Liancheng,Yongdeng county of Gansu province,resulting in the confirmation that the murals from Gan’en temple and Leitan temple generally maintain the style and content of the early Ming dynasty;the paintings from the temples were not all created by the same artisans by examining the painting stuff and workmanship applied for the main murals in Gan’en temple that are strongly distinctive from what for others;the frescos in Wansui Dian(Hall)of Miaoyin temple are found to have been adapted and repainted in its later construction period;the creation of the main paintings along the external corridor of Wansui Dian(Hall)were started prior to the completion of those inside the Hall,and lastly,the paintings in Tar Lamasery of Miaoyin temple were drawn in late 19 th century.
出处
《故宫博物院院刊》
CSSCI
北大核心
2012年第2期133-154,163,共22页
Palace Museum Journal
关键词
鲁土司
妙因寺
感恩寺
雷坛
壁画
颜料分析
Chieftain Lu(Lu Tusi)
Miaoyin temple
Gan’en temple
Leitan temple
fresco
analysis of painting materials
