摘要
作为目前唯一全面、系统地研究过电影的思想家,吉尔.德勒兹关于"电影画面"的思想非常丰富。其中,关于电影画面的生成性特征、可见性和可读性的双重特征、电影画面三层次(画面本身、画面的运动、"全体"的流变)和二型态(运动-画面和时间-画面)的理论,不仅是对电影学理论的丰富,也为电影画面的实际创制提供了深刻的现实启示;值得我们认真研究和认真对待。
As the only expert thinker who has made a comprehensive and systematic study of the film, Gilles Louis Rene Deleuze＇s elaboration on Film Picture is very rich. His thoughts on the following are of special enlightening and research value ： generics, duality of visibility and readability, three-level （ picture per se, motion of the picture, and mobility of the whole） of the film picture, and binary morphological model （ motionpicture vs. time-picture）. Overall, they not only enriche film theory, but also function as practical inspiration in reactive film picture production.
出处
《上海大学学报（社会科学版）》
CSSCI
北大核心
2012年第1期33-41,共9页
Journal of Shanghai University(Social Sciences Edition)
基金
教育部人文社会科学研究规划基金项目(09YJAZH094)
