摘要
审美是一个心理活动过程,审美时的主体心态,是审美关系得以成立的关键。在中国独特的文化土壤上产生的发达的心理美学思想,具有和西方美学明显不同的特点,它主要包括三个理论层面,三者大致形成一种由此及彼渐进深入的心灵程序。虚静是体验的发端,“游”是体验的展开,而物化是由此而达到的高峰体验。从虚静的“一”到物化的“一”,不是心理的大循环,而是审美的飞升,在活泼泼的生命运动中,“意象欲出,造化已奇”
Aesthetics is a process of mental activity. The psychological aesthetics originated in China' s unique culture has remarkbly different characteristics from that originated in the western culture. It mainly includes three key theory levels, which form a series of psychological activities one above another. Among them “tranquility”is the origin, “freedom of spirit”is the further development; and the “perfect harmony of nature and man”is the summit. These are not considered as a circle of activities, but as a leap in aesthetics.
出处
《许昌师专学报》
2000年第1期30-34,共5页
Journal of Xuchang Teachers College(Social Science Edition)
关键词
审美心态
虚静
物化
中国
古代
审美心理学
aesthetic experience
tranquility
freedom of spirit
perfect harmony of nature and man
