摘要
1980年至2000年这二十年间,法国戏剧自身的发展历程就是一部史诗般的世俗剧。它在主张形式革新的实验室上演,导演和剧作家轮流担当主角和配角,故事情节似有若无,观众可有可无,重要的是要实现"戏剧理想":真实而深刻地再现人类心灵的运行轨迹。虽然戏剧在各类艺术中最讲求即时性,但它也因此成为深受人类丰厚的文化遗产影响,值得珍存在记忆深处,耐人寻味的"文学魔术"。
From 1980 to 2000,the course of French modern drama was just like an epic worldly theatre,put on the stage in a laboratory where the innovation in form was initiated by a director or a dramatist who played in turn a leading role or a supporting role.For them,stories and spectators are less important than their 'theatrical ideal': to reveal authentically and profoundly the human heart's orbit in the world.Although the theatre is ephemeral like the morning dew,it is the quintessence of human culture and the 'literary magic' which deserves a long memory and a careful study.
出处
《外国文学》
CSSCI
北大核心
2012年第1期64-70,158,共7页
Foreign Literature
