摘要
Re-Do-La三声腔由re、do、la三个音构成。其腔核具有re、la开合,Re-Do-La复沓,交错和终止的功能,由此构成乐段和各种次级结构单位。Re-Do-La三声腔的扩展能形成四声、五声、六声和七声音阶。此结构原理是湘桂走廊丧葬仪式音乐的基本构成原理之一,与楚音乐文化可能有渊源关系。
Re-Do-La tri-shengqiang is made up by three tones of re, do and la. As a core, re-la functions as opening and closing, and Re-Do-La as repetition and close, all of which compose period and its sub-structural units. Four-tone scale, pentatonic scale, six-tone scale and seven-tone scale are made by the expansion of Re-Do-La trishengqiang. The construction rule is one of the fundamental composition rules of funeral rites music in the Xianggui Corridor and has common origin with Chu music culture.
出处
《星海音乐学院学报》
CSSCI
2011年第4期103-107,共5页
Journal of Xinghai Conservatory of Music
