摘要
宋代,作为精神领袖的宋代文人士大夫,引领了时代的文化艺术风尚。文人艺术摆脱前朝的思想束缚与审美观念,逐渐形成了新的形意观",得意忘形"的审美取向、诗书画"逸格"的品评以及逸笔戏墨的创作理念都是宋代文人士大夫创新思想的体现。随着高坐具的完备和文人士大夫雅玩之风的兴起,新的形意观给宋代工艺美术增添了新气象。
Literati of the Song Dynasty,as the spiritual leaders,lead the cultural and art fashion of that time.Literati art broke through the shackle of thoughts and aesthetic idea of the previous dynasty,and formed new view of form and idea.The aesthetical orientation of 'getting the idea and forgetting the form' the evaluation of the 'leisurely style' of poem,calligraphy and painting,as well as the creation idea of playing with brush and ink,all is the embodiment of innovative thought of the literati of the Song Dynasty.With the maturity of high-foot sitting tools and fashion of elegant play of the literati,new view of form and idea added new air to the craft art of the Song Dynasty.
出处
《南京艺术学院学报（美术与设计）》
北大核心
2011年第6期95-98,1,共4页
Journal of Nanjing Arts Institute:Fine Arts & Design
基金
<宋代文人意趣与工艺美术关系研究>教育部青年基金项目(项目编号:11YJC760071)阶段性成果
江苏省教育厅哲学社会科学基金项目(项目编号:2010SJD760001)成果之一
关键词
宋代
文人艺术
形意观
“得意忘形”
“逸格”
Song Dynasty literati art view of form and idea 'etting the idea and forgetting the form' 'leisurely style'
