摘要
将源自控制工程的约束观点引入色彩设计的研究范畴,提出了色彩约束的新理念。在阐述色彩约束的内涵基础上,分析了其在物理属性、色彩心理、色彩文化中的表现特点,归纳了其在色彩创作实践中的应用价值。同时,将偶发性色彩作为反约束的典型案例提出,对比并探讨了2者的差异和关联,指出色彩约束与反约束在理论上是互为补充、相辅相成的,在实践中应各取所长、结合运用,以形成色彩设计更多样的创新图式。
It introduced the concept of constraint resulting from control engineering to research areas of color design,and presented a new concept——color constraint.Based on explaining of connotation of color constraint,it analyzed color constraint＇s characteristics in terms of its physical properties,color psychology and color culture,and then summarized its application value in practice of color creation.Meanwhile,happening color is analyzed as a typical example of anti-constraint.After comparative study of the difference and relevance between constraint color and anti-constraint color,it pointed out that they were auxiliary to each other and complementary each other.In practice,they should be made up for each other′s deficiencies so as to form more kinds of innovative schemas of color design.
出处
《包装工程》
CAS
CSCD
北大核心
2011年第24期15-17,32,共4页
Packaging Engineering
基金
国家社会科学基金青年项目(10CZS003)
中央高校基本科研业务费专项资金(JUSRP21150)
关键词
色彩设计
约束
心理约束
色彩管理
偶发性色彩
color design
constraint
psychological constraint
color management
happening color
