摘要
内蒙古新时期草原题材绘画不同于20世纪五六十年代的主题性绘画,主要表现为风情性。一大批优秀的画家创作出了享誉国内外的优秀作品。他们以现实主义为主要创作方式,不断探索新的表现形式和绘画语言,对草原风情及其背后的深层民族文化精神进行挖掘,体现出从民族风情到民族精神的渐趋深化的历程。
The prairie theme painting in the new period of Inner Mongolia differs from the themes painting in 50 or 6o＇s of the 20thCentury, the main differences lie on the customs and styles of painting. A large number of out- standing artists have created many works well - known both at home and abroad. From the realist way of creation, they constantly explore new forms of expression and painting and its deeper spirit of national culture, reflecting the gradual it. language, process fro the customs and styles of grassland painting m the customs and styles to the national spirit.
出处
《内蒙古师范大学学报（哲学社会科学版）》
2011年第5期79-82,共4页
Journal of Inner Mongolia Normal University：Philosophy and Social Sciences Edition
基金
内蒙古哲社2008年度项目"草原文化与内蒙古当代草原题材绘画"(08E061)阶段性研究成果
关键词
草原题材绘画
民族风情
民族精神
prairie theme painting
national customs and styles
national spirit
