摘要
中国古典悲剧中的"大团圆"结局这一现象的出现有着深刻的历史根源,在不同的文本中"大团圆"结局也有不同的表现方式,在表达悲剧性方面起到了积极作用,可谓是中国古典悲剧不同于西方悲剧的一大特色。但在当代,"大团圆"结局面临的困境,只有在建构自己的理论体系的基础上,有所扬弃地继承、发展,才能最终找到出路。
It can be said that ＂happy endings＂ is a characteristic of Chinese classical tragedies which is different from Western Tragedies.There are more than one type of the ＂happy endings＂,which play important parts in expressing tragedies.But nowadays,this phenomenon has been facing difficulties.Only when the theory system of ourselves had been set up,and the useful side of ＂happy endings＂ had been inherited and developed while the bad been thrown away,there will be a way for it.
出处
《巢湖学院学报》
2011年第4期40-43,共4页
Journal of Chaohu University
