摘要
发现和表现室外自然光下的色彩是印象派绘画的重要成就,他们把光看作是"绘画的主人"。画家表现光线本身,不仅仅满足于把光作为物体的附庸,而是物体服从于光线。在神秘的东方,中国现代的水墨画家黄宾虹、吴冠中、林风眠、李可染等人将印象派的光色处理、笔法运用和中国传统绘画的诗意相结合,使中国传统水墨画达到了新的高度,让人不得不信服他们两者之间的密切联系。
It is one of the greatest achievements of the impressionistic school of painting to discover and display the colors in the outdoor national light,for whom light is the ＂master of painting＂.The painters in the display of color are not satisfied with the light as subordinate to object,but believe otherwise.In the mysterious oriental world,Chinese modern wash painters,such as Huang Binghong,Wu Guanzhong,Lin Fengmian,and Li Keran,have combined the light-color treatment and the use of brush of the impressionistic school with the poetic meaning of the traditional Chinese painting,so as to bring the traditional Chinese painting to a new height,and this convince people of the close relationship between them.
出处
《贵州大学学报（艺术版）》
2011年第2期53-55,60,共4页
Journal of Guizhou University Art Edition
关键词
印象派
水墨画
色彩
光线
the impressionistic school
wash painting
color
light
