摘要
我国传统书画修复有其独特的程序和规范,对所修补的地方进行全色接笔是传统书画修复的基本技巧之一。但是,国外文物修复中"最小干预原则"的引入,给书画修复手段和理念带来了不小的冲击。本文尝试立足于中国书画的特殊性,深入分析"最小干预原则"在书画修复中的可应用性。
As far as restoration of Chinese traditional painting and calligraphy is concerned, there is already a special procedure and a set of performing techniques to follow, including ‘Quanse’ (which is taken to make the works as completely perfect as what it used to be by coloring) and ‘Jiebi’ (which is a special way to make the works complete by mending the defects) which work as the basic approaches to the problem, but the introduction of ‘Minimum Intervention Principle’ in restoration of cultural relics into China from overseas has been making a great impact upon the Chinese conventional means and concept. This paper bases upon the unique feature of Chinese traditional painting and calligraphy to make an analysis of how the principle is carried out in restoration of them.
出处
《故宫博物院院刊》
CSSCI
北大核心
2011年第4期152-159,163,共8页
Palace Museum Journal
关键词
古书画修复
最小干预原则
隐补
接笔
全色
restoration of Chinese traditional painting and calligraphy
minimum intervention principle
Yinbu
Jiebi
Quanse
