摘要
宋代中原北方地区雕砖壁画墓壁画涉及大量女性题材。开芳宴图与交租纳贡图反映了女子在家庭中掌握着治家的权力。人们借助女子与内室的紧密关系,利用妇人启门图这一艺术形式打破皮墓葬空间的局限,以表达墓室未尽之意,模仿生人住宅前堂后室这一建筑格局,妇人所启之门也就应为内室之门。繁荣的商品经济为中下之户的女子提供了家庭外的生存空间,开芳宴图、庖厨图等场景中都能看到她们的身影。
In the Song Dynasty, female figures were common in engraved bricks and murals in tombs in the northern Central Plains. Mural paintings with scenes of a couple holding banquet and commoners paying rent and tribute to females indicate women＇s role of managing the household. According to the close relations between the female and the inner house, mural paintings with a female and a half-open door were set to break the limits of tomb space and to symbolize a door to the inner house, forming a housing structure resembling that in the real world. In a period of economic prosperity, it was possible for females of middle and lower classes to walk out of their houses and make a living by serving rich families in the cities. As a result, they appeared as servants or chefs in the scenes of couple holding banquet and of cooking.
出处
《中国国家博物馆馆刊》
CSSCI
北大核心
2011年第5期50-56,共7页
Journal of National Museum of China
关键词
宋代壁画墓
女性
男外女内
内室
Song Dynasty tomb with murals
female
women＇s role of managing the household
inner house
