摘要
扬雄的文体实践涉及"书牍"、"箴"、"铭"、"颂"、"诔"、"对"、"难"、"赋"、"解"和"连珠"等。其中,既有独创性的"解"、"连珠",也有变革性的"赋"、"箴"等和沿承性的"铭"、"颂"等,具有广泛性和变革性的特点。创立和变革文体是扬雄消解其因西汉时期儒学精神流失而引起的忧患意识的途径之一。
Yang Xiong＇s stylistic writings include ＂shudu＂,＂zhen＂,＂ming＂,＂song＂,＂lei＂,＂dui＂,＂nan＂,＂fu＂,＂jie＂and＂lianzhu＂.Among them,there are the original ＂jie＂ and ＂lianzhu＂,the reformative ＂fu＂ and ＂zhen＂ as well as the inherited ＂ming＂ and ＂song＂.Therefore,Yang Xiong＇s writings have the characteristics of extensiveness and reformativeness.To establish and reform literary forms is a way for Yang Xiong to dispel the awareness of unexpected development caused by the loss of Confucian spirit in the Western Han Dynasty.
出处
《青岛大学师范学院学报》
2011年第2期97-104,共8页
Journal of Teachers College Qingdao University
关键词
扬雄
文体实践
文体学
Yang Xiong
stylistic practice
stylistics
