摘要
路遥文学世界的整体"创作命题"来自于他对传统文化走向当代命运的深沉思考,他在"平凡的世界"里对普通民众特别是农民的生存方式、生命样态的"现代性"观照,寄寓着浓厚的传统文化的价值取向与审美判断,他的全部创作都是在与传统的痛苦而富有"激情"的"告别"中宣泄着作家难以摆脱的心理矛盾与困惑,这一切构成了路遥文学世界的基本色调及内在张力。路遥创作中蕴含的丰富的"传统与现代"的冲突,同样体现着20世纪中国一大批作家普遍性的文化心理特征———他们是"现代"的,又是"传统"的,这种沉重而痛楚的存在,正是他们文化身份的自我确认以及创作追求的重要表征。
The whole ＂theme of writing＂ in Lu Yao＇ s literary world came from his deep consideration of the contemporary destiny of traditional culture. In The Common World His ＂modernistic＂ observations of the means of existence and state of life of common people, especially farmers, characteristically represented his ideological orientation and aesthetic judgment of traditional culture. As a result, all his writings unbosomed himself of never-ridden psychological contradiction and bewilder to painfully and ＂enthusiastically＂ depart with the past. All this shaped the primary tune and internal tension of Lu＇ s literary world.
出处
《陕西师范大学学报（哲学社会科学版）》
CSSCI
北大核心
2011年第3期105-115,共11页
Journal of Shaanxi Normal University(Philosophy and Social Sciences Edition)
基金
国家社会科学基金后期资助项目(09FZW013)
关键词
路遥
中国传统文化
创作命题
审美呈现
Lu Yao
Chinese traditional culture
theme of writing
aesthetic presentation
