摘要
张谦宜《絸斋诗谈》保留了其师杨师亮及其本人的诗说,其特点是以文法讲诗,或不免流于细碎,但也形成思理详密的长处,既长于阐释通行的诗学概念,也善于揭示诗作运用的技法,与王渔洋神韵论所代表的山东诗学主流殊为异趣,可以说是明代格调派到乾隆间沈德潜格调诗学的一个桥梁,是格调诗学在清初的守护者和承传者。
Jianzhai Notes on Poetry by Zhang Qianyi recorded his teacher Yang Shiliang＇s and his own poetic theories, which were featured with discussing poems on the basis of writing principles. Although his poetic theory was inevitably tending to be fragmented, it had the advantage of careful thought, being good at not only interpreting current poetic concepts, but also revealing poetic techniques. His poetic theory was entirely different from the mainstream of the Shandong School of poetics which was represented by Wang Yuyang for his theory of romantic charm. It served as a link between the School of Artistic Styles in the Ming Dynasty and Shen Deqian＇s School of Artistic Styles during the Reign of Emperor Qianlong. And Zhang Qianyi was the guardian and inheritor of the poetics of artistic styles in the early Qing Dynasty.
出处
《北京大学学报（哲学社会科学版）》
CSSCI
北大核心
2011年第3期72-79,共8页
Journal of Peking University(Philosophy and Social Sciences)
关键词
张谦宜
《绲斋诗谈》
格调派
诗学
Zhang Qianyi, Jianzhai Notes on Poetry, poetics of artistic styles
