摘要
在中国民族声乐演唱中融入传统戏曲演唱技巧,是近年来学科内普遍关注的研究课题。文章以创作歌曲《梅兰芳》为例,对作品进行多维度人文解读与创作技法剖析,以亲历者的切身体验,阐释演唱过程中的理解与诠释,在把握中国民族声乐与传统戏曲演唱的共性与个性的基础上,在"润腔"与"表演"等方面进行了较为深入细致的重点探究。
The introduction of singing skills of traditional Chinese opera into China＇s folk songs is the research topic of common concern within the discipline in recent years.Taking the author＇s composition ＂Mei Lanfang＂ as an example,this paper intends to carry out a multi-dimensional humanistic interpretation of the work and an analysis of creation techniques and to expound the understanding and interpretation in the process of singing from what is experienced.This paper,based on the analysis of the universality and individuality between China＇s folk songs and traditional Chinese opera,mainly probes into aspects of lubricating tune and performance of the work in an intensive way.
出处
《重庆大学学报（社会科学版）》
CSSCI
北大核心
2011年第2期142-148,共7页
Journal of Chongqing University(Social Science Edition)
