此岸与彼岸的融合——论《基督与反基督》三部曲中的“永恒女性”形象被引量：2

The Fusion of This Shore and other Shore——On "Eternal Female" Figures of the Trilogy of CHRIST and ANTICHRIST

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摘要 "永恒女性"形象与俄罗斯19世纪末20世纪初流行的"索菲亚学说"联系在一起。索洛维约夫将"索菲亚"发展成为一种学说,并给"永恒女性"主题注入了宗教想象的激情。梅列日科夫斯基秉承这一传统,对"永恒女性"观念加以发挥,认为它既具有彼岸的神性本质,也具有此岸的属现象本质,是此岸与彼岸融合的纽带,它以"肉体美"与"精神美"的和谐统一出现在现实世界中,体现着作家对彼岸圣灵的赞美,对爱与美能拯救世界理念的企望。 The Eternal feminine figures are associated with the Sophia theory popular in Russia during the late 19th and early 20^th centuries. Soloviev developed Sophia as one theory and poured religious imagination into the eternal feminine subject. Merejkovski carried on this tradition and displayed the eternal feminine idea. He thought the theme has both the divine nature and the phenomenon essence. It is the fusion link of these two parts--Beauty of the human body and Beauty of the spirit, both appearing in the real world. It reflects the writer＇s praising for the Holy Spirit and the hope for the idea of love and beauty that can save the world.

作者武晓霞

机构地区北京航空航天大学外国语学院

出处《北京航空航天大学学报（社会科学版）》 CSSCI 2011年第2期75-78,112,共5页 Journal of Beijing University of Aeronautics and Astronautics：Social Sciences edition Edition

基金中央高校基本科研业务费专项资金资助项目(YWF-10-06-024)

关键词索菲亚永恒女性神性美人性美 Sophia the eternal female beauty of the divine nature and human nature

分类号 I106.4 [文学—世界文学]

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参考文献6

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