摘要
布莱希特创立的以"间离-思考-行动"为核心模式的"叙事剧"戏剧理论要求把叙述性、评论性因素引入戏剧舞台,主张"舞台叙述事件",从而引导观众进行理性的评判和自我反思。布莱希特成熟期所创作的《高加索灰阑记》是其叙事剧理论最彻底的体现,该剧从剧本结构、表演手法、戏剧功能等方面很好地实践了他以"间离效果"为核心的"叙事剧"理论。
Bertolt Brecht＇s theory of ＂epic theatre＂,which takes ＂alienation-thinking-action＂ as kernel mode,prefers to introduce narration and commentary into the theatre and advocates that ＂the stage narrates an event＂.And,consequently,the audience could be guided to make a rational judgment and self-reflection.The Caucasian Chalk Circle,written in Brecht＇s mature period,is a thorough incarnation of his theory of epic theatre.Both dramatic theory and practice base on ＂alienation effect＂ were all carried out well in aspects such as drama structure,stage presentation,dramatic function,etc.
出处
《长沙理工大学学报（社会科学版）》
2011年第2期110-113,共4页
Journal of Changsha University of Science and Technology：Social Science
关键词
布莱希特
高加索灰阑记
叙事剧
间离效果
Bertolt Brecht
The Caucasian Chalk Circle
epic theatre
alienation effect
