摘要
集中华民族传统文化之大成的中国戏曲,是中国传统音乐文化的一朵奇葩,也是世界文化的瑰宝。尤其是清代以来,我国戏曲艺术的发展更是成就斐然。"花部"中的吹腔、梆子、皮黄腔迅速崛起,"雅部"的昆腔、高腔由盛而衰。这不仅使京剧艺术形成并几至席卷全国,也使明代后出现的各地方小戏在此时获以快速发展。道情、秧歌、滩簧、采茶、花鼓等新兴民间戏曲也脱颖而出。
The traditional Chinese opera,having absorbed all the essence of traditional Chinese culture,is a wonderful artistic form of traditional Chinese musical culture and the world culture treasure as well.Especially since the Qing Dynasty,the traditional Chinese operas have made great artistic achievements.Chui-qiang,bang-zi and pi-huang-qiang of ＂hua-bu＂ developed rapidly,whereas kun-qiang and gao-qiang of ＂ya-bu＂ experienced from prosperity to decline.This not only made the Peking Opera come into being and nearly spread throughout the country,but also promoted the fast development of local small-scaled comprehensive art which appeared after the Ming Dynasty.Such newly produced folk operas as dao-qing,yang-ge,tan-huang,cai-cha,hua-gu,prospered swiftly.
出处
《乐府新声（沈阳音乐学院学报）》
2011年第1期116-122,共7页
The New Voice of Yue-Fu(Journal of the Shenyang Conservatory of Music)
基金
辽宁省教育厅人文社会科学研究项目项目批准号:20060895
关键词
曲牌体
板腔体
“花部”
“雅部”
民间小戏
qu-pai ti（labeled pieces form used in traditional Chinese operas）/ban-qiang ti（a type of melodic form of traditional Chinese operas）/hua-bu（popular
miscellaneous dramas）/ya-bu（elegant
decent dramas）/folk small-scaled comprehensive art
