摘要
苗族织锦芭排是历史上仡佬人直接继承了僚的织造文化,同时与三苗及土家人在长期的文化交融中形成的。土家织锦西兰卡普是由賨布结合僚布技术发展的结果,是融合了僚的织造文化而形成的土家族典型织物代表,两者有相近的文化渊源,是同根姊妹。但又分别属两个不同民族的文化结晶,各自有不同的特点,不是同一种织锦。
The Miao brocade Bapai is the direct successor to the history of the Liao Gelao people weaving culture, while three Miao and Tujia people culture formed mixing in the long term. Tujia brocade Xilankapu was developed from Cong and Liao cloth fabric technology with the result of weaving is the integration of the bureaucratic culture of the fabric formed a typical repre- sentative of the Tujia, both have similar cultural origins and they are sisters from the same root. But each is a crystallization of two different culture% each with different features, not the same tapestry.
出处
《内蒙古大学艺术学院学报》
2010年第4期33-38,共6页
Journal of Art College of Inner Mongolia University
