期刊文献+

吴昌硕花鸟画构图的创新性研究 被引量:4

On the Innovation of the Composition of Wu Changshuo's Flower-and-Bird Paintings
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摘要 吴昌硕是近代中国画的一代宗师,是中国诗、书、画、印完美结合的最杰出而又全能的代表画家。他在继承传统的基础上极大地推进了中国传统绘画的现代转型,在花鸟画的构图方面借古开今,取洋而化,为中国画表现语言的丰富与完备做出了独创性的贡献。 Wu Changshuo was the master of modern Chinese painting,and was the most outstanding and all-around typical painter in China,integrating poetry,calligraphy,painting and seal cutting.On the basis of the traditions he greatly advanced the modern transformation of traditional Chinese painting.Drawing on the ancient and foreign while creating his own style in the composition of flower-and-bird painting,Wu Changshuo made great original contribution in enriching and perfecting the performance of the Chinese paintings.
作者 白珂
出处 《阴山学刊》 2011年第1期31-34,共4页 Yinshan Academic Journal
关键词 吴昌硕 花鸟画 构图 以形写神 气势 Wu Changshuo Flower-and-Bird Painting Composition "The Mind is described by the Shape" Momentum
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参考文献2

  • 1潘天寿.谈谈吴昌硕先生[A].刘海粟.回忆吴昌硕[C].上海:上海人民美术出版社,1986.
  • 2清·吴昌硕,吴东迈.吴昌硕谈艺录[M].北京:人民美术出版社,1993.

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