摘要
当代中国建筑艺术50年发展道路,可分为4个阶段:即以仿古为主的"民族形式"时期、简约化时期、"文化大革命"庸俗艺术时期以及80年代改革开放以后比较健康的多元建筑论时期。多元建筑论时期又有几种流派:即古风主义、新古典主义、新乡土主义、新民族主义和本土现代主义。作者认为,中国的现代生活是中国建筑艺术的唯一源泉,坚持创造具有时代特色和中国气派的新建筑文化是唯一正确的道路。"唯一"与"多元"并有,"唯一"指导"多元"。
The essay discusses the development of the Contemporary Art of Chinese Architecture from 1949, which is divided into 4 stages: 1. National Form Stage, passed mainly on the imitations of ancient architectures, 2. Simplicity Stage, 3. Vulgar Arts Concept Stage during the Great Cultural Revolution and 4. Pluralistic Concept of Architecture Stage from the 1980s Reform, former by several sects, such as Archaistioisrn, Neo-Classicism, Neo-Regionalism,Neo-Nationalism, and Native-Modemism. The Author points out that the only right way to creat the Art of Chinese Architecture is to combine the characteristic of the times with Chinese Architectures based on the modern life in China.
出处
《世界建筑》
1999年第9期24-28,共5页
World Architecture
关键词
当代中国建筑
多元
艺术
建筑艺术
Contemporary Chinese Architecture, Pluralism, Art