摘要
美国原住民作家薛曼.亚历斯在《保留区蓝调》中成功地运用了魔幻现实主义叙事模式,用一把魔幻吉他揭示了白人殖民者真实的面目,用两个死而复生的军官重演了殖民者对印第安人犯下的罪恶。借助这种叙事模式,作者充分地阐释了白人殖民者对印第安人血腥镇压的历史、现代印第安人保留区的生活现状和印第安民族振兴发展的关键。小说既具备文学欣赏价值又具备社会研究价值,是当代印第安文学作品的典范。
Sherman Alexie, a native American writer, applied successfully the magical realism in his Reservation Blues, in which he removed the mask of white colonists with a magic guitar and exposed the crime committed by the colonists to the Indians via two American military officers who rose again from death. Through such a narrative mode, the history that the Indians were deceived and suppressed by the white colonists and the current life of the residents in the Spokane Indian reservation were both revealed, as well as the key to the revitalization of Indians. As a novel with highly literary value in combination with sociological value, the Reservation Blues is one of the best works in native American literature.
出处
《东北大学学报（社会科学版）》
CSSCI
北大核心
2011年第1期90-94,共5页
Journal of Northeastern University(Social Science)
